
Helena Ignez
Born: 1939-05-23
Place of Birth: Salvador, Bahia, Brazil
Biography
Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).
Known For

Candango: Memoirs from a Festival

Avacalha e se Esculhamba

Venus – Filly the Lesbian Little Fairy

Estátua!

O Pátio

The Outsiders

The Welles Raft

The Red Light Bandit

Spray Jet

A Grande Feira

Um Intruso no Paraíso

A Vermelha Luz do Bandido

Hotel Atlântico

Memórias do Grupo Opinião

Flesh

Benjamim Zambraia e o Autopanóptico

Abry

Ralé: The Lower Depths

Mulher Oceano

Watch Out, Madame

Baron Olavo, The Horrible

Ugly, Me?

Belair

Subterrânea

Extracts

Terno

The Mother

O Desmonte do Monte

Oswaldianas

Embodiment of Evil

Inaudito

Ensaio Sobre o Fracasso

Nosferatu

Fogo Baixo, Alto Astral

Fakir

Face to Face

A Bela P...

São Jerônimo

MATRIZ

Helena de Guaratiba

Grito da Terra

Mulheres de Cinema

The Monsters of Babaloo

Deuses da Peste

Race Antenna

Um Documentário Brasileiro

Anônimo e incomum

A Última Vanguarda

Rio de Topless

Memoirs of a Strangler of Blondes

Antes do Fim

Paixão e Virtude

No Way, Spider

Copacabana Mon Amour

Scent of Gardenias

Joy Is the Acid Test

Glauber Rocha - The Movie, Brazil's Labyrinth

The Good Cinema

Trópico de Leão

It's Not All True

My Calendar Girl

O Engano

Not Even God Is As Fair As Your Jeans

B2

Celebração - 100 Anos do Cinema Nacional

Assault on the Pay Train

The Priest and the Girl

Love Film Festival

Natureza Morta

Brazilian Cinema in the 20th Century

A Miss e o Dinossauro

Poder dos Afetos

Febre

Light in Darkness: The Return of Red Light Bandit

The End of an Age

The Woman of Everyone

The Lady Who Died in the Trailer

Retrato da Terra

The Sign of Chaos

Nova Pasta, Antigo Baú

Flying Geraldo

Meu Mundo em Perigo

All Paulos in the World - Paulo José

Copacabana, Mon Amour: A Restauração

Desculpa, Dona Madama

Reinvenção da Rua

A Mulher da Luz Própria

Ossos

If I'm Here It Is by Mystery

Message from Sergipe

The Hullabaloo Family

Mr. Sganzerla: Os Signos da Luz

The Long Voyage of the Yellow Bus

Eclipse

A Man and His Cage

Bring me the Head of Carmen M.

Luz-Lux-Lúcia

Nelson Carneiro: Knight of Democracy

Lost Media

O Mel é Mais Doce Que o Sangue

Perigo Negro

Gravidade

In Memoriam: O Roteiro do Gravador
