
Norma Shearer
Born: 1902-08-10
Place of Birth: Montreal, Quebec, Canada
Biography
From Wikipedia, the free encyclopedia. Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films. Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards". Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized. Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD. Description above from the Wikipedia article Norma Shearer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For

The Latest from Paris

Channing of the Northwest

Hollywood: The Dream Factory

The Trail of the Law

After Midnight

The Women

Blue Water

Riptide

Cavalcade of the Academy Awards

The Wanters

Hollywood: Style Center of the World

Married Flirts

Upstage

That's Entertainment!

Excuse Me

Escape

Pretty Ladies

Pleasure Mad

Lucretia Lombard

Going Hollywood

Empty Hands

Idiot's Delight

The Actress

We’re Switching to Hollywood

The Stealers

Romeo and Juliet

Twenty Years After

We Were Dancing

The Man Who Paid

His Secretary

That's Entertainment! III

A Free Soul

The Wolf Man

1925 Studio Tour

Strangers May Kiss

From the Ends of the Earth

Joan Crawford: Always the Star

Way Down East

Man and Wife

Her Cardboard Lover

The Waning Sex

He Who Gets Slapped

The End of the World

Marie Antoinette

The Bootleggers

Master Will Shakespeare

The Romance of Celluloid

Judy Garland: By Myself

The Restless Sex

Screen Snapshots Series 18, No. 8

The Divorcee

The Christmas Party

A Man's Man

Another Romance of Celluloid

The Stolen Jools

Hollywood Out-takes and Rare Footage

Lady of the Night

The Star Boarder

The Making of a Legend: Gone with the Wind

The Hollywood Revue of 1929

The Demi-Bride

Their Own Desire

The Student Prince in Old Heidelberg

A Slave of Fashion

Waking Up the Town

The Snob

Smilin' Through

A Lady of Chance

Private Lives

Broken Barriers

Complicated Women

The Tower of Lies

The Devil's Circus

Hollywood Goes to Town

The Barretts of Wimpole Street

A New Romance of Celluloid: The Miracle of Sound

Sports on the Silver Screen

Strange Interlude

Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood

The Flapper

The Trial of Mary Dugan

Broadway After Dark

The Last of Mrs. Cheyney

A Clouded Name

You're the Top: The Cole Porter Story

Torchy's Millions

Let Us Be Gay

The Film Parade

The Devil's Partner

The Taming of the Shrewd
