
Jean Rouch
Born: 1917-05-31
Place of Birth: Paris, France
Biography
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known For

The Doll

Portrait de Jean Rouch

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

The Dreamed Films

My Conversations on Film

Jean Rouch, des mensonges plus vrais que la réalité

Letter to Jean Rouch

World Without a Game

The Lovely Month of May

Cinématon

Work(ing Together) in Process

Chronicle of a Summer

Ciguri - Tarahumaras 99 - Le dernier chaman

Nouvelle Vague : El cine sin dogmas

Sodankylä Forever

Ciné-Portrait of Raymond Depardon

La Nouvelle Vague par elle-même

Son of Gascogne

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

Jean Rouch: First Film 1947-1991

Encountering Jean Rouch

Ciguri – Tarahumaras 98 - La Danse Du Peyotl

The Mad Masters

Freddy Buache, le cinéma

An Egg with No Shell

Samba the Great

Rouch's Gang

Pierre Fatumbi Verger: Messenger Between Two Worlds

Jean Epstein, Young Oceans of Cinema

A Friendly Handshake

Les Fils de l'eau

Germaine chez elle
