
Chantal Akerman
Born: 1950-06-06
Place of Birth: Brussels, Belgium
Biography
Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard. Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.
Known For

The Art of Time

Autour de Jeanne Dielman

Letter from a Filmmaker: Chantal Akerman

I Don't Belong Anywhere: The Cinema of Chantal Akerman

Porto

Pictures of Europe

Making of Tomorrow We Move

Chantal Akerman by Chantal Akerman

News from Home

From the Other Side

Guest

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

The Beloved Child, or I Play at Being a Married Woman

Chantal Akerman: An Interview

Knokke: une petite fiction 2

Je Tu Il Elle

But Elsewhere Is Always Better

The Ministries of Art

The Room

Chantal Akerman, From Here

Blow Up My Town

Chantal Akerman: Always on the Road

Family Business

Autour de La Folie Almayer

Tell Me

What Is Cinema?

The Man with the Suitcase

Son chant

Delphine and Carole

Chantal Akerman

Sodankylä Forever

The Day When...

Portrait of a Lazy Woman

Examen d'entrée INSAS

Maniac Summer

Seven Women, Seven Sins

My Mother Laughs Prelude

Mallet-Stevens Street

Down There

Birth of a Nation

One Day Pina Asked...

Interview with my mother, Natalia Akerman

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

She Spent So Many Hours Under the Sun Lamps

In Her Own Words

Calling the Shots

No Home Movie

Interview with Babette Mangolte
