
Jonas Mekas
Born: 1922-12-24
Place of Birth: Semeniškiai, Lithuania
Biography
Jonas Mekas was born in 1922 in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn. Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue. During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT. Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website. Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Known For

Notes on an American Film Director at Work

Jack Smith and the Destruction of Atlantis

Andy Warhol Screen Tests

Scenes from Allen's Last Three Days on Earth as a Spirit

Barbara Rubin and the Exploding NY Underground

Diaries, Notes, and Sketches

Diaries, Notes, and Sketches

Jonas Mekas in Kodachrome Days

Behind the Artist: Andy Warhol, an American Prophet

Tiny Tim: King for a Day

Fragments of Paradise

Award

A Day in the Life of Andy Warhol

Occhio privato sul nuovo mondo

Out-Takes from the Life of a Happy Man

Michael Snow Up Close

George: The Story of George Maciunas and Fluxus

Galaxie

TO NEW YORK WITH LOVE - A Letter to Penny Arcade June 25, 2001

Excavating Taylor Mead

A Report from Venice

On the Holy Spirit

Beyond the Bolex

3.11 A Sense of Home Films

Tapes

Guest

Jonas in the Desert

Cinema Is Not 100 Years Old

A Poet from the Lower East Side

Filmmakers

A Matter of Baobab

Nico Icon

Imagine

Meet The Kuchar Brothers

As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty

Reminiscences of Jonas Mekas

Self Discovery for Social Survival

Anger Me

Home Movies 1971-81

Notes for a Déjà vu

Doc

The Invisible Father

My Conversations on Film

Notes for Jerome

Lavender

Makeshift (for Mekas)

ORG

River of Fundament

Empire

Poem Posters

Invocation: Maya Deren

Salvador Dalí at Work

Jonas Keeps Shooting Around

Jonas Mekas in Paris 10/97

I Had Nowhere to Go

Cinema and Sanctuary

Jonas Mekas in Budapest

Cinématon

Nam June Paik: Moon Is the Oldest TV

The Velvet Underground

Vertigo

Keep singing: a tribute to Jonas Mekas

Underground New York

Tuesday Jan. 9, 2007

Song of Avignon

Notes in Lifestyle Margins

Elegy for J.M.

Going Home

What Is Cinema?

Shooting Guns

Visionaries

Filmstudio, mon amour

Jonas in the Brig

Nitsch

He Stands in a Desert Counting the Seconds of His Life

Step Across the Border

Superstar: The Life and Times of Andy Warhol

365 Day Project

J. Mekas

Reminiscences from Germany

Back from New York

Quartet Number One

Reminiscences of a Journey to Lithuania

The Song of Avila

Four Shadows

Cinematic Correspondences: Jonas Mekas - J.L. Guerin

A Mixtape for Stom

Film: The Living Record of Our Memory

Self-Portrait

Strong Medicine

All About Bolex

The Song of Central Park

My Mars Bar Movie

Journey to Lithuania

My Birthday

Gena Rowlands: A Life on Film

Lost, Lost, Lost

It Came from Kuchar

Andy Warhol's Factory People... Inside the Sixties Silver Factory

Who Gets to Call It Art?

Viva Jonas!

Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

Persistence of Vision

Sebastian and Jonas Leaving the Party

Re: Maciunas and Fluxus

Axiom of Choice

The Queen of Sheba Meets the Atom Man
![Screen Test [ST211]: Jonas Mekas](/_next/image?url=https%3A%2F%2Fimage.tmdb.org%2Ft%2Fp%2Fw500%2F5yEUYxLQWc71aL7OGrhSnpslsQO.jpg&w=3840&q=75)
Screen Test [ST211]: Jonas Mekas

In the Mirror of Maya Deren

Free Radicals: A History of Experimental Film

I Don't Know Which Tree It Comes From that Fragrance

Warhol's Cinema 1963-1968: Mirror for the Sixties

Postcard from America

Vies et morts d'Andy Warhol

The Signing

Jonas Mekas, Friday 13th October

The Definition of Insanity

Jonas Mekas Anthology

Fire in the East: A Portrait of Robert Frank

EXPRMNTL

New York Conversations

Question a Day
